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SYNC

Music built for the brief.

I write and produce original music for advertising and film, working directly with London’s top music supervision teams from the first brief through to final delivery. Below is a reel of campaigns I’ve scored — real briefs, multiple pitch directions, fast revisions, masters ready to license.

Teams I work with Twenty Below Music Wieden+Kennedy Wake The Town Major Tom Loud Parade Youth Mode Rekodi Music
THE REEL

Selected placements

A selection of commercials I’ve written and produced music for — real briefs, real supervisors, real delivery deadlines. Sound on.

Honda – CRV Sportline (Global Ad)01
Cheerios – CrunchTime (Global Ad)02
Hawaiian Airlines (Global Ad)03
JBL – Tour One M204
JBL – Tour Pro 205
Kenco Iced Latte06
Ikea – Meditative Moments x607
British Army – Nightingale08
J&B Whiskey09
Smirnoff10
HOW IT WORKS

From brief to delivery

01
The brief
Understand the brand, the mood board, the reference tracks and the story the visuals need underneath.
02
Multiple directions
Explore more than one pitch, so the supervisor has genuine options to bring to the client rather than a single guess.
03
Package & send
Stems, alternate edits and clean instrumentals, delivered fast and properly labelled for the edit suite.
04
Revisions
Quick, focused turnarounds so briefs get nailed without the process dragging on.

Every track above started the same way every new brief does — a conversation, a set of references, and a few directions explored before landing on the one. If you’re a supervisor with something to score, that process starts with an email.

GET IN TOUCH

Have a brief in mind?

Send it over, however early-stage. Happy to explore a few directions before you need to commit to anything.